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Abstract In this paper, the author examines from multiple perspectives a phenomenon she calls “acoustic identity” and demonstrates the inseparability of speech from race, ethnicity, culture, and nationality as criteria used to establish... more
Abstract
In this paper, the author examines from multiple perspectives a phenomenon she calls “acoustic identity” and demonstrates the inseparability of speech from race, ethnicity, culture, and nationality as criteria used to establish identity. The study begins with an autoethnographic account of the Anglo-American author’s voluntary immersion into the medium of northern Mexican Spanish and is followed by an ethnographic inquiry into the linguistic experiences of several other mono/bi/multi-lingual individuals. This auto/ethnographic methodology exposes the socio-cultural and political significance of acoustic identity by comparing the disparate experiences and treatment of mono/bi/multi-lingual speakers from dominant (Euro-American) and non-dominant (Mexican-American, African-American, and Australian-Aboriginal) social groups. Among the ethical implications of this analysis is the imperative to recognize the relationship between linguistic and racial/ethnic stereotyping as well as the conflation of (Standard) English(es) with whiteness and the West.
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The contributors to Globalizing Cultural Studies: Ethnographic Interventions in Theory, Method, and Policy take as their central topic the problematic status of «the global» within cultural studies in the areas of theory, method, and... more
The contributors to Globalizing Cultural Studies: Ethnographic Interventions in Theory, Method, and Policy take as their central topic the problematic status of «the global» within cultural studies in the areas of theory, method, and policy, and particularly in relation to the intersections of language, power, and identity in twenty-first century, post-9/11 culture(s). Writing against the Anglo-centric ethnographic gaze that has saturated various cultural studies projects to date, contributors offer new interdisciplinary, autobiographical, ethnographic, textual, postcolonial, poststructural, and political economic approaches to the practice of cultural studies. This edited volume foregrounds twenty-five groundbreaking essays (plus a provocative foreword and an insightful afterword) in which the authors show how globalization is articulated in the micro and macro dimensions of contemporary life, pointing to the need for cultural studies to be more systematically engaged with the multiplicity and difference that globalization has proffered.
Research Interests:
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Research Interests:
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